![]() Perhaps the best-known chronicle of this era of filmmaking is Peter Biskind’s Easy Riders, Raging Bulls (1998). To receive the magazine, click here to subscribe.What was the “New Hollywood”? And is it a useful category or superficial shorthand? It’s arguably easy enough to make a case for the former: certainly, the history of American cinema now has the films and the directors to support the assertion that a strong current of visionary, personal filmmaking ran through the output of the dying studio system starting in the late 1960s, and ending after the memorable box-office debacle of Michael Cimino’s critically drubbed epic Heaven’s Gate (1980). This story first appeared in a December stand-alone issue of The Hollywood Reporter magazine. That really stuck with me.” She still regrets taking off for Europe the day the Oscar nominations were announced. “He said the most important thing for an actor was to listen. Moriarty says the best advice she received was from De Niro. Moriarty was 17, living in the Bronx and completely unaware that a bicoastal search was going on for an actress who “must be blonde and have excellent figure. “I can’t say enough about how much they helped me,” she says. One person who owes her career to the trio was Cathy Moriarty, who received an Oscar nom for supporting actress. ![]() The Hollywood Reporter said the film was “probably the most unromanticized movie biography ever produced in Hollywood.” Yet Raging Bull got eight Academy Award nominations, with De Niro winning for actor and Thelma Schoonmaker for editing.
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